History[ edit ] The 5B6 Bassman[ edit ] During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth. Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. The circuit had two innovations:
That amp worked pretty well with my Rick string. That amp turned out to be an early-production Pro-Amp. I started to investigate the world of pre-CBS Fender amplifiers.
Bassman Bassman This was the first iteration of the white piggyback Bassman, with one 12” Oxford 12M6 speaker mounted on the interior tone ring baffleboard in a small 30” wide cabinet.
These models were Fender models and not Squier models. The stratocasters had Fender USA pickups installed and were made for the Japanese market only and not for export. The Squier series were also made available for the Japanese market in October , which incorporated small changes compared to the export Squier series. The large Fender logo of the export Squier series was soon changed to a large Squier logo.
The SQ Squier series was introduced in late to early Squier Vista Series[ edit ] In , Squier began to manufacture the Vista Series, which saw them introducing their own unique guitar designs independent from the Fender mother company for the first time. Made in the same factory as the Japanese Fenders of the era, they were known as high quality guitars.
Later, in 97, a guitar version of the Musicmaster Bass was added, though it should be noted this was based on the bass design, and not the Fender Musicmaster guitar design of the s. By the Vista Series was discontinued. Squier Affinity Series[ edit ] The Squier lineup was augmented in with Affinity series guitars and basses. Entry-level Affinity Series instruments were straightforward, basic Stratocaster, Telecaster and Precision Bass guitars in black, red and white.
How to Date Fender Twin Reverb Amps
Zahi Hawass officially announced our newly discovered tomb, KV on 10 February However, the initial shaft was discovered a few days before the end of our season. KV is the first tomb to be discovered in the Valley of the Kings since Roxanne and Bill Wilson have financed and maintained the KV website since and will continue to do so into the future.
· The tweed Bassman with four 10 inch speakers and four inputs () is considered by many to be the finest guitar amp ever made. Brown and white tolex amps (), and some “black face” models () are highly regarded by
Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid Rosewood fingerboard, “Slab” Brazilian , to That is, the bottom of the fingerboard was flat and the board was fairly thick. A picture of a slab board neck as seen from the “butt” of the neck can be seen in this picture.
Also shown is the difference between reissue and original slab board necks.
Sell or keep Fender Bassman 135 head?
The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums.
· Dating your Fender by the serial number By Greg Gagliano. Bandmaster 5C7, 5D7 (tweed) to – to – Bandmaster 5E7 (tweed)
Initially intended to amplify bass guitars , the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar , harmonica , and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers. History The 5B6 Bassman During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker.
It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. From through the spring of , Fender produced approximately model 5B6 Bassman amplifiers serial numbers — The earlier cabinets have been called “TV Front” designs,  with a front panel that had a rectangular grill cloth with rounded corners and looked much like a television of that era.
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I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.
Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates.
· Fender Bassman , dating and stuff. I recently picked up a Fender Bassman and started googling for it. I found out that it probably (I’m not % sure) is ?cmd=vt&tid=
While guitarists in the early part of this century played country, folk or blues on acoustic guitars, in the ‘s, jazz musicians experimented with amplifying traditional hollow-body guitars so they could play with other instruments at the same sound level. One problem was that the speakers and pickups tended to generate feedback when played at a high level. In the ‘s, a California inventor named Leo Fender had made some custom guitars and amplifiers in his radio shop.
Eventually, Leo would create the world’s very first instrument amplifiers with built-in tone controls. More importantly, though, was Leo’s vision of better guitar. With his knowledge of existing technologies, he knew he could improve on contemporary amplified hollow-body instruments.
Bassman dating. Bassman, Lillian : Photography, History | The Red List
Converting to cathode bias in the blackface and silverface Bassman circuits, and other Fender amps with fixed bias, is very simple. I became curious as to how many were made. Fender don’t part with that kind of Another transitional event at Fender was the development of the two-piece amp in
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And there’s so many variations from year to year that I could probably make this post long enough to be very boring. Here’s my basic rundown based on my experience with like 50 different Bassman amps. The early-mid 60’s blonde piggybacks saturate really well, do the “distorted guitar sponge” thing, and can be cleaned up nicely with the guitar’s volume knob. They are also way too expensive for what they are and I’m glad I got one like five years ago instead of today!
Blackface amps have slightly more clarity with overdrive and distortion that are easier to deal with. These are probably the most versatile of the bunch. The cabinets don’t sound “as good” as the blonde tolex ones and it is of your best interest to pair up a blackface Bassman with a raunchy 4×12 for absolute slaying of every modern Marshall amp.
Bassman dating. Bassman, Lillian : Photography, History | The Red List
You must replace them before putting the amplifier up for resale. First up is the input of the 6G6A. The DC coupling is done to keep the phase shifting in the lowest frequencies at a minimum. At the least, replace the. If the cathode follower is not to your liking, you could have the one-half of that 12AX7 to use as you desire. There is more to tweak, beyond the input and tone control stages.
The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.
The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author. His passing is a great loss to this research team and the Fender amp aficionado community in general.
Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much. Paul Linden has volunteered to fill in for Greg. Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps. Since , more interesting factoids of interest have surfaced and are presented here.
Interest in vintage Fender amps really took hold about years ago.
1967 Fender® Bassman® AB165 Head & Cabinet Blackface, Excellent, $1,599.00
You just gotta have that amp or that guitar. Even if you already own plenty. Man will never stop coming up with ideas and rationale for why he constantly needs to aquire more gear. Man convinces himself, the wife and all who stands in between the gear and himself — the only responsible thing to do now, is to go get that gear. Man needs, man deserves.
So, why constantly seeking for changes?
· Fender Amps: the ‘Rivera-Era’ ( to 86); Bassman 20 and Champ II These 2 amp types shared the same metal chassis design. As If your amp’s serial number falls into the last batch then your best hope of dating it is if you’ve still got the original speaker. This batch’s run of serial numbers starts in mid, when production was
Navigation menu Bassman dating. Photography, History The Red List This final s Tweed Bassman model product line included a change from the 5Y3 to the GZ34 rectifier tube, as well as a modification within the Presence control circuit. This two-letter production stamp continued in when Fender began reissuing Fender Bassman Amplifiers. Since the Leo Fender and Co.
History[ edit ] The 5B6 Bassman[ edit ] Duringthe Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. Inmodel 6G6-B was introduced, which incorporated circuit changes but used the same speaker configuration. Its eleven oclock in the Hallionne were sentient, they were in the corners.
The only sure-fire way to date a Fender Bassman is by matching serial schemes. Here are the serial number schemes from to Double-check the serial numbers with the serial scheme guide on Fender. The 6G6 model was covered in rough Blonde colored Tolex material with Oxblood colored grill cloth. DuringFender introduced the model 5F6-A Bassman model.
The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. This amp still had the presence knob and same circuit designated 6G6-B as the smooth Blonde Tolex Bassman, but the faceplace was now black, the Tolex was black, and the grillcloth had moved to a silver cloth with black thread. Not even dos and donts of dating after divorce.
~2003 ’59 Fender Bassman Reissue LTD
Bass guitar — The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass.
· What’s up at the Field Guide? 5/31/I added a change logto the main menu (near the bottom) to keep everyone posted on recently updated pages. This way I can put only the important changes on the main welcome page. BTW I added 2 more manuals to the owners manual
Submit your Guitar How old is my vintage amplifier? There are several ways to determine when a Fender amp was produced. First use the cosmetic features to get a range of possible years. Next, if applicable look for the date code on the tube chart. Remember, many components could have been changed over the years, speakers blow, caps dry out, transformers melt down, and pots wear out. Here is a cool link to a Vintage Fender Amp price history chart that tracks sales data for specific amp models by the month.
Wide panel, narrow panel, brown, blonde, and black face amps have a date code hand-stamped on the tube chart. This code is made up of two letters. The first letter translates to the year and the second to the month. The reissue amps also made use of this code. Electronic components such as transformers, potentiometers, speakers, and some capacitors are often stampted with a date code indicating who manufactured them and when.
The code follows the format: Remember, your amp is newer than the newest component. So if you find pots from late 68 and transformers from early 69 you can be pretty sure your amp is a